Filmtheorie

Documentary Preis: 17.50 | Jetzt bestellen

AutorIn: Dave Saunders
Verlag: Routledge

Dave Saunders’ spirited introduction to documentary covers its history, cultural context and development, and the approaches, controversies and functions pertaining to non-fiction filmmaking. Saunders examines the many methods by which documentary conveys meaning, whilst exploring its differing societal purposes. From early, one-reel ‘actualities’ to the box-office successes of recent years, artistic complexities have been inherent to non-fiction cinema, and this Guidebook aims to make such issues clearer. After a historical consideration of international documentary production, the author examines the impact of recent technological developments on the production, distribution and viewing of non-fiction. In addition, he explores the increasingly hazy distinctions between factual and dramatic formats, discussing ‘reality television’, the ‘docu-drama’, and less orthodox approaches including animated and fantastical representations of reality. Documentary encompasses a broad range of academic discourse around non-fiction filmmaking, introducing readers to the key filmmakers, major scholars, central debates and critical ideas relating to the form. This wide-ranging guidebook features global releases from the 1920s through to 2009, and includes films such as: Nanook of the North (1922), The Man with the Movie Camera (1929), Night Mail (1936), Night and Fog (1955), Primary (1960), Roger and Me (1989), Tarnation (2003), My Winnipeg (2006), Sicko (2007), Waltz With Bashir (2008), Say My Name (2009), Anvil: The Story of Anvil (2009)

ISBN: 978-0-415-47310-1


Film Theory Reader Preis: 32.40 | Jetzt bestellen
Debates and Arguments
AutorIn: Marc Furstenau (Ed)
Verlag: Routledge

The Film Theory Reader brings together a range of key theoretical texts, organized thematically to emphasise the development of specific critical concepts and theoretical models in the field of film theory. Each section presents well-known or significant texts, which have introduced a particularly influential concept, followed by texts that have developed or extended the concept, or that have offered explicit critiques or arguments against the original model. The collection thus represents and reproduces the debates and arguments that have shaped the theoretical landscape of film studies, guiding the reader through the complex terrain of theoretical debate, and offering suggestions for further reading and research. An Introduction from the editor contextualises the essays and provides a logical guide to the book, clarifying the links between articles and tracing the development of key arguments. The notes to the Introduction include extensive references, for readers to explore and further their own studies, as they are guided through the history of debate in film theory.

ISBN: 978-0-415-49322-2



mfg
Mag. Ekkehard Hey-Ehrl
Universitätsbuchhandlung STUDIA
Innrain 52f
Bruno-Sander-Haus